KRAJOBRAZ – THE NEW LANDSCAPE
Still not counting chickens just yet however - It’s early days, and in the wee hours of the morning, when the demons are having a wail of a time, there still remains an almost inbred prejudice (as a painter of people for twenty odd years) in even considering touching Landscape Painting, let alone regarding it as serious… Stupid I know, and as Daniel so rightly pointed out the other night - making good paintings is what counts and lasts regardless of subject! Aye, he’s a clever lad for a translator!
Still, representing the landscape for a painter these days’ is undoubtedly a great deal more problematic than simply employing the skills involved in applying paint to canvas. Any certainty in the fact that the land, but particularly nature along with its uncontrollable power, unpredictability, and potential for cataclysmic extremes as the old Romantics used to view it, has anything to offer the artist in the way of exploration and experimentation seems to have long gone, leaving little more than a view of the landscape based on that left behind by the greats of the past, when it irrefutably did mean something beyond ‘nice’.
Seen through the eyes of Constable then - his England, through Corot and Monet, to Kiefer's Deutschland, perhaps more than any other genre, any inkling of a new perspective we may happen to be lucky enough to glimpse when approaching 'nature' today is almost always lost under the weight of its own tradition, with landscape painting more or less being shunned completely by serious painters to become the preserve of the amateur dauber. All in all, a place in which it is nigh on impossible then from which to view anything anew. And the perspective is no easier from here in Poland either.., but..?
Although I've certainly been drawn to the landscape often in the past, without much success in the way of producing anything more worthy than ‘home decoration’, then there is something immensely intriguing about the way this troubled land continues to sit within its own borders at the very centre of Central Europe and is engaged with by its people on a daily basis as a basic matter of course and inescapable need. The place could be described as Cambridgeshire without the chocolate box cottages or anything else Cambridgeshire has to offer bar its flatness. Beautiful without question, the Pojezierze Augustowsko-Suwalskie region of Poland is incalculable – its pine forests run deep, its numerous lakes unfathomable, its people clearly forever drunk on the vastness of its skies, (not to mention the vodka)! I think it was Paul Auster who described the skies of Kansas as being the only friend you’ve got in that colossal, flat, desolate place; well, I’m sure Pojezierze Augustowsko-Suwalskie is nothing like Kansas, but I’ve sometimes felt like this about its skies!
Who knows then..? I’m certainly drawn to the place, and for reasons I’m only just beginning to fathom, whether the results are significant or not - who cares – it’s got me painting in its ‘proper’ sense again at last..!